One thing I've come to realize and accept about my work as a photographer is that my images aren't going to be technically awesome all the time. My favorite camera for street photography isn't advanced, but I am nonetheless obsessed with it, especially since it has a dedicated waist-level viewfinder. This shot has weird exposure and a bizarre corduroy-type overlay, but I can't help but like this shot. This is a twin to "I See You1;" the ethereal light behind the observer in the setting sun in 2 mirrors the light in the morning in 1.